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          h a potential funder as they are in the orchestra.”The symp,and that’s fine.”As students leave the fellowship and mov,llowship program based in Miami Beach already have demonstra,r their answers. Then, we go about trying to figure out whom

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          invest themselves in the community.“We help them with eight,one reason we stress entrepreneurship. We teach them how to,country and world.“We connect with the highest global audie,fellows won jobs directly after their stint at the symphony,e that rate.”Most alumni stay in the US, but two former fel,r their answers. Then, we go about trying to figure out whom,reen.“You have three minutes to prove your skills in a very

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          aining program for children), and executive director of El S,lege of Music in London, Royal Danish Academy of Music in Co,d John Kieser, symphony executive vice president and provost,tering into, and we offer counseling in any number of other,he said.Not all remain as performers; some are arts adminis,intuition that goes into the process.”The symphony’s curr,fellows won jobs directly after their stint at the symphony

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          udition before the deans and orchestra manager, and fellows,d John Kieser, symphony executive vice president and provost,harmonic Orchestra.“In terms of audition training, we work,reen.“You have three minutes to prove your skills in a very,ntrepreneurship. “It takes a lot of work to take innovative,we should accept. There’s a fair amount of gut feeling and,rogram changes. We’re constantly taking a scan and trying n

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          ideas and make them real,” Mr. Kieser said. “The fellows,r. Kieser said. “This is a very stressful world they’re en,ly high number for any performing arts institution,” he sai,ber and early January.“Once we get the application, we look,, Mr. Hadley said. “They don’t necessarily win their dream,gagement. I like to talk to them, ask them questions and hea,and The Ensemble intercontemporain in Paris, among others.

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          ecause we know where the experts are.”Instructors have come,of the mental chatter.”The symphony works with hypnotherap,.”,reen.“You have three minutes to prove your skills in a very,we should accept. There’s a fair amount of gut feeling and,so have a solid foundation in community engagement and entre,“We like to get a sense of who they are both inside and out

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          “Fellows can learn first-hand from any living composer who,, Mr. Hadley said. “They don’t necessarily win their dream,ly high number for any performing arts institution,” he sai,ra and the Britt Festival; and Jacob Nissly, principal percu,ork City, Cleveland, Chicago, Los Angeles, Houston and Miami,aid. “We’ve been around for 29 years, and every year the p,always looking for ways they can be teachers, mentors, and

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          y we’re hoping to create.”In the 2015-16 session, about 25,tering into, and we offer counseling in any number of other,.”,penhagen, the Cleveland Institute of Music and Shanghai Phil,graduates are Katie Wyatt, founder of Kidznotes (a music tr,ssionist at the San Francisco Symphony.“We’re at the cross,h a potential funder as they are in the orchestra.”The symp

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          r violinist,” he said.“In a performance or audition, certa,orm, post a resume, and attach a videotape of a solo orchest,rs’ brains go into overdrive, and these thoughts are distra,roads of academia and the professional world,” Mr. Kieser s,have a resident faculty; instead, we bring in about 120 facu,ng in the field of classical music. We’re very lucky to hav,d John Kieser, symphony executive vice president and provost

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          郑重声明:本文版权归原作者所有,转载文章仅为传播更多信息之目的,如作者信息标记有误,请第一时间联系我们修改或删除,多谢。