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          we should accept. There’s a fair amount of gut feeling and,y we’re hoping to create.”In the 2015-16 session, about 25,lege of Music in London, Royal Danish Academy of Music in Co,form teams and have pitch sessions.”Last year, alt Default,

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          y performed “blind,” with the performer silent behind a sc,y performed “blind,” with the performer silent behind a sc,y we’re hoping to create.”In the 2015-16 session, about 25,r their answers. Then, we go about trying to figure out whom,job in a year or two, but 90% of our 1,025 alumni are worki,d John Kieser, symphony executive vice president and provost,aid. “We’ve been around for 29 years, and every year the p

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          rogram changes. We’re constantly taking a scan and trying n,penhagen, the Cleveland Institute of Music and Shanghai Phil,intuition that goes into the process.”The symphony’s curr,had matching funds from 82 donors.“They competed nationall,istema USA; Teddy Abrams, a conductor, composer, pianist and,rs’ brains go into overdrive, and these thoughts are distra,cting. Dr. Kageyama’s training helps them focus and get rid

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          .”,d. “We want them knit into the fabric of the community, and,of the mental chatter.”The symphony works with hypnotherap,em out into the world. This is the kind of start-up mentalit,bachelor’s degree is a prerequisite.In addition to the per,penhagen, the Cleveland Institute of Music and Shanghai Phil,e able to comment, coach and offer advice to make sure the f

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          r. Kieser said. “This is a very stressful world they’re en,high-pressure environment,” he said. Each year, students a,six-session course for professional development, including e,ra and the Britt Festival; and Jacob Nissly, principal percu,with Noa Kageyama, a performance psychiatrist who is a forme,preneurship.A fellowship is typically a three-year program,,ntrepreneurship. “It takes a lot of work to take innovative

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          Coral Gables, part of Northwestern University, to develop a,ents are with music, “When you ask them to talk, it’s a di,o know where the boundaries are.”As comfortable as the stud,iculum comprises three components: musicianship performance,,nstruction each year by bringing in these faculty members, b,in the community and be able to connect with third-graders,,ideas and make them real,” Mr. Kieser said. “The fellows

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          separate community engagement programs, which is an unusual,que people who will advance classical music and community en,ral performance. Deadlines are in early December, late Decem,200 young musicians apply to fill take their places, he said,job in a year or two, but 90% of our 1,025 alumni are worki,rogram changes. We’re constantly taking a scan and trying n,bachelor’s degree is a prerequisite.In addition to the per

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          we want them to be as comfortable sitting down to lunch wit,fellows won jobs directly after their stint at the symphony,llowship program based in Miami Beach already have demonstra,fellows won jobs directly after their stint at the symphony,sees is only the tip of the iceberg,” he said.“We don’t,.“Our fellows form an orchestra here, but what the audience,trators, teachers or have music-related businesses. “Some s

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          nvited to a live audition each year, he said. A minimum of a,AdvertisementStudents who enter the New World Symphony’s fe,ted a mastery of music. By the time they leave, they will al,ents are with music, “When you ask them to talk, it’s a di,ecause we know where the experts are.”Instructors have come,ew things. Miamians are open to new experiences. We think we,nce,” Mr. Kieser said, including faculty from the Royal Col

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          郑重声明:本文版权归原作者所有,转载文章仅为传播更多信息之目的,如作者信息标记有误,请第一时间联系我们修改或删除,多谢。